Sea Monster Stirrup Cups

Sea Monster Stirrup Cups is an ongoing series, currently nine vessels, rooted in my fascination with historical metalwork and the mysterious creatures that populate early cartographic imagination. The stirrup cup is defined by its distinctive footless form and its role as a greeting or parting vessel offered to riders while their feet remained in the stirrups of the saddle. Typically shaped as animal heads and constructed through hammering and chasing techniques, these cups once marked thresholds: moments of welcome, departure, ritual, and camaraderie.

When starting this series, I turned to the fantastical “sea monsters” that decorate Medieval and Renaissance maps. These chimeric creatures positioned at the edges of the known world embodied both fear and imagination, personifying the unknown and the misunderstood. They occupied the places where fact dissolved into speculation, standing in for the vast uncertainties of the ocean and the limits of human knowledge. These monsters are simultaneously warnings, inventions, and narrative tools; they reveal a deeply human impulse to create forms that articulate our fears, questions, and curiosities when we encounter unfamiliar territory.

The Sea Monster Stirrup Cups began as a way for me to reinterpret the fantastical creatures found on Medieval and Renaissance maps, but over time the series has become something far more personal. What started as an exploration of historical imagery quickly turned into a long-term investigation of form, technique, and imagination. Each cup reflects a different stage of my growth as a metalsmith; from early studies in raising and chasing, to ambitious experiments in stretching metal, to the culmination of years of saving and technical preparation in the gold stirrup cup.

Through these nine pieces, I’ve come to see the stirrup cup as both a sculptural challenge and a space for storytelling. The monsters have shifted from map-edge folklore to expressions of my own curiosity, ambition, and evolving practice. As the work has grown, so has my commitment to the traditional hand-wrought techniques that ground my studio practice. Moving forward, I plan to create one cup each year, allowing the series to grow alongside me, an ongoing record of my relationship to metal, craft history, and the unknowns that inspire me.